Norwich Community Cinema

Tiny Furniture
Saturday, April 9, 2011
Donald L. Oat Theater, NAC
Suggested Donation: $7.00
Doors: 7:00 pm
Movie: 7:30 pm

22-year-old Aura returns home to her artist mother’s TriBeCa loft with the following: a useless film theory degree, 357 hits on her Youtube page, a boyfriend who’s left her to find himself at Burning Man, a dying hamster, and her tail between her legs. Luckily, her trainwreck childhood best friend never left home, the restaurant down the block is hiring, and ill-advised romantic possibilities lurk around every corner. Aura quickly throws away her liberal-arts clogs and careens into her old/new life: a dead-end hostess job, parties on chilly East Village fire escapes, stealing twenties out of her mother’s Prada purse, pathetic Brooklyn “art shows,” prison-style tattoos done out of sheer boredom, drinking all the wine in her mother’s neatly organized cabinets, competing with her prodigious teenage sister, and desperate sex in a giant metal pipe. Surrounded on all sides by what she could become, Aura just wants someone to tell her who she is.

Lena Dunham writes, directs and stars as Aura, the girl who really wants you to know that she is having a very, very hard time. Lena’s mother, photographer Laurie Simmons, plays the fictional mother of Aura, and Dunham’s precocious sister Grace Dunham plays Nadine, Aura’s precocious sister. Alex Karpovsky and David Call are two very different but equally humiliating romantic interests; Jemima Kirke and Merritt Wever are Aura’s diametrically opposed friends. This is Dunham’s second feature film; the first, Creative Nonfiction, premiered at SXSW in March 2009.

Bhutto
Thursday, April 14, 2011
Frank Center at NFA, Norwich
Free of charge
Doors: 6:00 pm
Movie: 6:30 pm

BHUTTO is the definitive documentary that chronicles the life of one of the most complex and fascinating characters of our time. Hers is an epic tale of Shakespearean dimension. It’s the story of the first woman in history to lead a Muslim nation: Pakistan. Newsweek called it the most dangerous place in the world, and the home of nuclear war heads and the Taliban.

Benazir Bhutto was born into a wealthy landowning family that became Pakistan’s dominant political dynasty. Often referred to as the “Kennedys of Pakistan,” the Bhuttos share a painful history of triumph and tragedy, played out on an international stage.

Educated at Harvard and Oxford, and with an eye on a foreign service career, Benazir’s life changed forever when her father, Pakistan’s first democratically elected president, chose Benazir to carry his political mantle over the family’s eldest son. In the late 70’s, when Zulfikar Ali Bhutto was overthrown and executed by his handpicked Army Chief, Benazir swore to avenge her father and restore democracy — or to die trying.

Benazir Bhutto may have broken the Islamic glass ceiling, but she was wed in a traditional arranged marriage to then-Karachi playboy Asif Ali Zardari. Her two terms in power saw acts of courage and controversy as she eradicated polio and stood up for women, while fighting the male-dominated political elite, and a nervous military leadership, while battling accusations of corruption and scandal.

In 2007, with the South Asian country rolling in turmoil and under the thumb of yet another military dictator, Benazir was called back onto the world stage as Pakistan’s best hope for democracy. With her assassination she transcended politics, but left a legacy of simmering controversy and undeniable courage that will be debated for years.

Spring, Summer, Fall, Winter… and Spring
Friday, March 25, 2011
Frank Center at NFA, Norwich
Free of charge
Doors: 7:00 pm
Movie: 7:30 pm

Spring, Summer, Fall, Winter… and Spring is a 2003 South Korean film about a Buddhist monastery which floats on a lake in a pristine forest. The story is about the life of a Buddhist monk as he passes through the seasons of his life, from childhood to old age.

The movie was directed by Kim Ki-duk, and stars Su Oh-yeong, Kim Young-min, Seo Jae-kyung, and Kim Jong-ho. The director himself appears as the man in the last stage of life. The quiet, contemplative film marked a significant change from his previous works.

The film is divided into five segments (the five seasons of the title), each segment depicting a different stage in the life of a Buddhist monk (each segment is roughly ten to twenty years apart, and is physically in the middle of its titular season).